{"id":1508,"date":"2025-11-15T07:18:07","date_gmt":"2025-11-15T07:18:07","guid":{"rendered":"https:\/\/jakobthorkildovergaard.com\/?page_id=1508"},"modified":"2025-11-30T10:58:04","modified_gmt":"2025-11-30T10:58:04","slug":"be-strong","status":"publish","type":"page","link":"https:\/\/jakobthorkildovergaard.com\/?page_id=1508","title":{"rendered":"Be Strong"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"http:\/\/kontentum.net\/wp-content\/uploads\/2022\/05\/granseganger2-1024x1024.jpg\" alt=\"\" class=\"wp-image-1224 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-link-color wp-element-button\" href=\"https:\/\/jakobthorkild.bandcamp.com\/album\/be-strong\" target=\"_blank\" rel=\"noreferrer noopener\">Buy album<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Be Strong marks the 2nd chapter of <a href=\"http:\/\/kontentum.net\/grenzganger\/\"><strong>The Grenzg\u00e4nger Trilogy<\/strong><\/a> (2014-2018). Now with the intention of materializing and express the 2nd and ethic state as described by Danish existentialist, S\u00f8ren Kierkegaard (1813-1855) and exammening characteristics concerning the role of the artist as a gendered phenomenon.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The album is, like Art Sleaze, performed and recorded by P.O. J\u00f8rgens on drums and Nils Bo Davidsen (electric bass).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>But even though \u2018Be Strong\u2019, despite its inaccessibility, may not be a metal album, it is still an album that makes the listener ask himself fairly essential questions. And it must, if anything, be a success criterion for all abstract art.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Danish music critic and reviewer, Emil Hansen (translated from danish by Kontentum (<a href=\"https:\/\/devilution.dk\/anmeldelser\/pladeanmeldelser\/abstrakt-klang-i-metallens-periferi\">link<\/a>).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:30% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/jakobthorkildovergaard.com\/wp-content\/uploads\/2025\/11\/BeStrong800x800px.jpg\" alt=\"\" class=\"wp-image-1565 size-full\" srcset=\"https:\/\/jakobthorkildovergaard.com\/wp-content\/uploads\/2025\/11\/BeStrong800x800px.jpg 800w, https:\/\/jakobthorkildovergaard.com\/wp-content\/uploads\/2025\/11\/BeStrong800x800px-300x300.jpg 300w, https:\/\/jakobthorkildovergaard.com\/wp-content\/uploads\/2025\/11\/BeStrong800x800px-100x100.jpg 100w, https:\/\/jakobthorkildovergaard.com\/wp-content\/uploads\/2025\/11\/BeStrong800x800px-768x768.jpg 768w, https:\/\/jakobthorkildovergaard.com\/wp-content\/uploads\/2025\/11\/BeStrong800x800px-500x500.jpg 500w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Be Strong vinyl edition, 2016<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1711471409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/jakobthorkild.bandcamp.com\/album\/be-strong\">Be Strong by Jakob Thorkild Overgaard<\/a><\/iframe><\/p>\n\n\n<div style=\"height:200px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Be Strong marks the 2nd chapter of The Grenzg\u00e4nger Trilogy (2014-2018). Now with the intention of materializing and express the 2nd and ethic state as described by Danish existentialist, S\u00f8ren Kierkegaard (1813-1855) and exammening characteristics concerning the role of the artist as a gendered phenomenon.&nbsp;&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-1508","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=\/wp\/v2\/pages\/1508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1508"}],"version-history":[{"count":13,"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=\/wp\/v2\/pages\/1508\/revisions"}],"predecessor-version":[{"id":1680,"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=\/wp\/v2\/pages\/1508\/revisions\/1680"}],"wp:attachment":[{"href":"https:\/\/jakobthorkildovergaard.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}